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Nicole Bearden

Curatorial Work, Writing Portfolio, and home site of Critical Bounds Podcast
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Writing Portfolio

Collage of images of (from top left, clockwise: Maile Arvin, The British Museum, Eve Tuck, Patricia Hill Collins, Okwui Enwezor, Tate Modern Museum, and Angie Morrill

(2019) An excerpt from Expanding Enlightenment-Era Value Systems in Western Museums with Indigenous Decolonial Feminisms and Afrocentric Epistemologies (A Critical Ethics Review), Nicole Bearden

June 18, 2025

In January 2019, I undertook a research project in London, inspired by curator and art historian Okwui Enwezor’s (1963-2019) 2003 essay “The Postcolonial Constellation: Contemporary Art In a State of Permanent Transition”. In this essay, Enwezor discusses the opening of the Tate Modern in London in 2000, and states that "...globalization and cultural assimilation are operative in the art world…”. 

Though Enwezor dealt directly with art and the Tate Modern in his essay, my research encompasses the British Museum for its influence as a lauded historical institution which displays art, natural, and cultural objects, and its problematic history in cultural display. My research consisted of examining the current presentations of non-Western art and cultural objects in the Tate Modern and British Museum in an attempt to understand what colonial roots  are still visible and operative in these influential museums nearly twenty years after Enwezor’s essay was written.

The goal of this piece is to look to epistemologies and philosophies such as Afrocentric and Indigenous Feminisms in order to build a frame of possibility for more decolonized (which may lead to what I believe are more ethical) methods of display within art and encyclopedic museum institutions.

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Tags Academic Writing, Research, Writing, Okwui Enwezor, British Museum, Tate Modern, Postcolonial Constellations, Enlightenment, Contemporary Art, Arts Writing, Art Criticism, Ethics, Ethical Criticism, Indigenous Feminism, Patricia Hill Collins, Art History, Critical Art Issues, Western Art, Museums, Museology, Art

(2017) Creative Prompts I wrote for students to create games for SIGNIFICANT PLAY: EXPLORING THE POSSIBILITIES OF HUMAN CONNECTION AND GAMEPLAY:

June 18, 2025

A ​series ​of ​prompts ​for ​creating ​games for an upcoming exhibition, where games will be available to play for the general public.

The ​following ​prompts ​are ​meant ​to ​be guidelines only, ​which ​means ​that ​you ​do ​not ​have ​to ​adopt the ​specific ​narrative, but may design a game that alludes to the feeling(s) the prompt evokes. ​

This ​project ​is first and foremost ​about ​the ​ways ​that ​humans ​connect ​to one another using ​technology, ​specifically ​games, ​and ​how ​games ​can encourage ​and ​sustain ​that ​connection, ​how ​they convey emotion, ​how ​we ​can ​use ​them ​for ​purposes ​other than ​entertainment, ​and to strain ​the ​limits ​of ​the ​medium.

 

Prompt ​1:

You ​have ​been ​drafted ​into ​a ​top ​secret, non-governmental, ​global ​protection ​agency. ​This ​organization ​will take ​care ​of ​every ​material ​need ​you ​may ​have ​during ​the ​course ​of ​your ​time ​with ​them, ​and ​upon completion ​of ​your ​mission--which ​is ​somehow ​necessary ​to ​the ​survival ​of ​humankind--you ​will ​receive ​$1 billion ​dollars. ​

The ​caveat: ​You ​must ​leave ​in ​two ​hours. ​You ​may ​not ​tell ​anyone. ​You ​may ​not ​contact ​your loved ​ones ​while ​you ​are ​away. ​They ​will ​not ​be ​told ​anything ​about ​your ​absence, ​and ​you ​will ​be ​gone ​for ​15 years. ​How ​do ​you, ​without ​betraying ​your ​mission, quickly ​communicate ​a ​sense ​of ​well-being, ​comfort, ​and ​love ​to those ​you ​leave ​behind?

 

Prompt ​2:

You ​suddenly ​gain ​the ​ability ​to communicate with ​other ​species (animals, ​plants, ​mitochondria). How ​do ​you ​use ​your ​gifts? How do you navigate human society equipped with ​your new knowledge? How ​does ​this ​change ​the ​ways ​in ​which ​you ​move ​through ​the ​world?

 

Prompt ​3:

Your ​best ​friend ​has ​been ​becoming ​more ​and ​more ​distant. ​You ​used ​to ​talk ​every ​day, ​see ​one ​another ​at least ​once ​a ​week, ​but ​now ​you ​haven’t ​hung ​out ​in ​months. ​The ​last ​time ​you ​spoke ​was ​three ​weeks ​ago, ​and the ​call ​lasted ​less ​than ​five ​minutes. ​They ​are ​never ​online ​anymore, ​and ​haven’t ​been ​showing ​up ​for ​class. This ​all ​began ​about ​three ​months ​after ​they ​began ​dating ​someone ​new. ​Are ​they ​okay? ​Are ​you ​growing apart? ​Is ​it ​something ​more ​serious? ​What ​do ​you ​do?

 

Prompt ​4:

You ​leave ​your ​house ​for ​work ​(or ​class) ​like ​always. ​On ​the ​walk ​there, ​you ​catch ​snippets ​of ​conversation spoken ​in ​a ​foreign ​language, ​one ​you ​have ​never ​heard ​before. ​When ​you ​arrive, ​everyone ​you ​know ​is ​also speaking ​in ​this ​language. ​You ​no ​longer ​understand ​anything ​anyone ​is ​saying ​to ​you, ​when ​you ​look around, ​suddenly ​the ​street ​signs ​are ​made ​up ​of ​symbols ​you ​have ​never ​seen, ​your ​phone ​is ​filled ​with ​the same ​symbols. ​You ​think ​you ​might ​be ​crazy, ​but ​otherwise ​the ​world ​seems ​the ​same ​as ​before. ​What may have happened?  How might you find out? What do you do to keep yourself safe?

Tags Creative Prompts, Creative Writing, Games Writing, Narrative Prompts, Significant Play, Vide Games, Video Games, Writing, Games, Narrative Design

Jennifer Leigh Harrison is Trying to Tell You Something About Femicide at CoCA [Part 1] →

June 18, 2025

On the surface, the works in Jennifer Leigh Harrison’s show I’m Trying to Tell You Something: Breaking the Silence of Femicide Through Visual Art at Center on Contemporary Art (CoCA), belie the show’s heavy subject matter. In contrast, the work is light, largely abstract, not portraiture, with no obvious violence exhibited.

In fact, the only works featuring human subjects are a performance by Harrison and two videos, where she partners with performers from Seattle Pole Dance. A closer look, however, reveals that Harrison’s work utilizes a unique data visualization, in addition to educational wall labels, to tell the stories of intimate partner violence (IPV) against women.

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Tags Seattle Arts, Seattle, Art, Feminist Art, femicide, CoCA, Center on Contemporary Art, Jennifer Leigh Harrison, Arts Writing, Feature

Iconic Convos: Black Sun. January 15, 2025. Evergreen Echo. →

June 18, 2025

Nicole Bearden (NB): Today we are here with Black Sun from Volunteer Park. I appreciate you taking a moment to engage with us this morning.

Black Sun (BS): Yes, a good conversation passes the time.

NB: Well, we will certainly attempt to make it a good conversation. You have been in the park since 1969. Do you have any favorite moments from the past fifty or so years?

BS: The more people change, the more they remain the same. People, seasons, time—they all cycle, they all come back to incipience.

I bear witness to the spinning wheels of time, the turning clock of seasons, and the joys and sorrows of man—I bear it all and it is both a heavy burden, and a lightsome ecstasy. 

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Tags Writing, Creative Writing, Black Hole Sun, Black Sun, Soundgarden, Seattle Arts, Seattle Parks, Volunteer Park, Asian Art Museum, Isamu Noguchi, Sculpture, PNW, PNW Culture

Seattle’s Meghan Thréinfhir Puts the “A” in STEAM with STEM-Infused Art. November 14, 2024, Evergreen Echo

June 18, 2025

During a recent conversation about her upcoming show Wormhole Animism at Capitol Hill’s Steve Gilbert Studio, Meghan Thréinfhir (née Meghan Elizabeth Trainor) takes us on a brief journey from her nascent influences in spiritual tradition to her current work that takes inspiration from the poetic nature of physics in the universe.

Thréinfhir’s work has always had spiritual connections. With a practice firmly rooted in her own ancestral Irish Catholic imagery and iconography in her early art-making days, she found new inspiration via Mexican folk art when she was exposed to the work of Frida Kahlo and later from a nearby shop when she worked at Pike Place Market in the 1990s. Importantly, a 1980s show at Seattle Art Museum about African spiritual objects left a significant impression.

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Tags Megan Trainor, Meghan Threinfhir, Art, Science, Stem, STEAM, Seattle Arts, Wormhole Animism, Steve Gilbert Gallery, Capitol Hill, Art and Science, Cyborgs, Witchtech

In Memoriam: Tom Robbins, Washington Author. Evergreen Echo, February 10, 2025 →

June 18, 2025

This morning, I awoke to the news that one of my favorite authors walked beyond the veil on February 9. Tom Robbins, a prolific novelist, was born in North Carolina in 1932, then relocated to Washington State in the 1960s. He wrote with a bohemian playfulness and humor that often belied his philosophical style and was once most accurately dubbed “The Northwest’s Master of Zen-Punk” by Seattle Weekly writer Roger Downey in 2006.

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Tags Tom Robbins, Author, Nicole Bearden, Writing, In Memoriam, Jitterbug Perfume, Seattle, Seattle Icons, Seattle Literature, PNW, PNW Culture, Evergreen Echo

Iconic Convos: A Sound Garden. Evergreen Echo, March 5, 2025 →

June 18, 2025

Nicole Bearden (NB): In honor of Seattle’s Faux Spring weather last week, I decided it was time to have a confab with one of my personal favorite Seattle Icons: A Sound Garden. Located on the NOAA campus near Magnuson Park, between Piers 15 and 17 on Lake Washington, A Sound Garden reverberates with hauntingly atmospheric intonations as the wind blows through artist Douglas Hollis’ twelve, 21-foot high, steel tower sculptures. Sound Garden, I appreciate your presence today.

A Sound Garden (SG): [A chorus of metallic hums breezing through the air.] We are delighted to converse with you.

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Tags Creative Writing, Soundgarden, Seattle, Nicole Bearden, Seattle Icons, NOAA, Douglas Hollis, Sculpture, Grunge, PNW, PNW Culture

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