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Nicole Bearden

Curatorial Portfolio and Blog of Nicole Bearden
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Critical Bounds is a podcast which considers contemporary art, global issues, and current events that influence and are in turn manifested in artistic practice, through critical conversations with emerging contemporary artists and curators.

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Eva Mayhabal Davis. Image courtesy of the curator.

Eva Mayhabal Davis. Image courtesy of the curator.

Eva Mayhabal Davis "BIPOC on Colonialism, Nationalism, and [the Harmful Illusion of] White Supremacy"

May 23, 2021

Head over to Soundcloud for our conversation with arts advocate and curator Eva Mayhabal Davis (B. Toluca, Mexico). We talk about our mutual disdain for Picasso, Davis' art journey, her project El Salón, the prospect of gathering together again, our mutual anxiety at onscreen crowds (and the 80s and early 90s lack of cellphones), how she advocates for community through the arts, and what old hobbies became new again during the pandemic.

Davis was born in Mexico, raised in the United States, and studied art history at the University of Washington. She is a founding member of El Salón, a meetup for cultural producers. Her Mexica identity, immigrant and working class narrative informs her work in advocacy for equity and social justice through the arts.

Davis is a the Intake Paralegal at UnLocal, Inc, a non-profit organization that provides direct immigration legal representation, legal consultations, and community education to New York City’s undocumented immigrant communities. She is also director of Transmitter NYC, curator for NYC Crit Club, and her writing has been featured in many publications such as Foundwork, Arte Fuse, Art Spiel, the Hemispheric Institute’s Cuadernos, Nueva Luz: Photographic Journal, Guggenheim Museum Blog, and Cultureworks Magazine.

In art, blog, Critical Bounds News, Curating, podcast, Podcasts, Writing Tags Eva Mayhabal Davis, Eva Mayha, Curator, Curating, el Salon, El Salón, Transmitter NYC, UnLocal org, UnLocal, Inc, NYC Crit Club, Picasso, Covid 19, pandemic art, BIPOC Creatives, Mexica Creatives, Immigrant Creatives, Latino art, Immigrant community, arts and culture, arts workers, arts writing, Chicago, New York, Seattle, University of Washington, podcast, podcasting, critical bounds, nicole bearden
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Bethany Tabor

Bethany Tabor on "Art and Death"

November 10, 2020

Head over to Soundcloud to enjoy this fantastic episode with curator, writer, and cultural arts programmer Bethany Tabor! When we downloaded the files, every bit of one side of the conversation sounded like it was underwater, and so—we re-recorded it to the best of our ability. We are so glad that Bethany’s audio was unharmed, because it’s a great conversation.

We talk about her work with Greenwood Cemetery, Brooklyn, creating events that give space for people to talk and learn about death and dying. We discuss performance art, John Underwood, the founder of the Death Cafe Movement, her writing about artist Teresa Margolles, Dia de Los Muertos and how its appropriation perfectly encapsulates the inextricably imperialistic relationship between US and Mexico, and how Covid has not actually changed our proximity to death.

In art, blog, Critical Bounds News, Curating, Global Issues, Performance Art, podcast, Podcasts, Writing Tags Bethany Tabor, Critical Bounds Podcast, critical bounds, Art, Art and Death, Death and the Maiden, pandemic art, Greenwood Cemetery, Greenwood, John Underwood, Death Positive Movement, Death Cafe Movement, Teresa Margolles, performance art, Imperialism, dia de los mueros, day fo the dead, death celebration, covid 19, Covid, Pandemic events
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Image: 2019 AWAW winner Heide Fasnacht. Turbulence (red), 2019, Acrylic paint on manipulated photo mounted on wood panel, 48” x 60”. From anonymouswasawoman.org

Image: 2019 AWAW winner Heide Fasnacht. Turbulence (red), 2019, Acrylic paint on manipulated photo mounted on wood panel, 48” x 60”. From anonymouswasawoman.org

Artist Grants Available

March 31, 2020

Two new sources of funding for artists during the Covid-19 crisis have been announced. One, from Anonymous Was A Woman (AWAW) and administered by New York Foundation for the Arts is providing relief grants up to $2500 for artists who identify as womxn. The application (located here), goes live on April 6th, 2020 at 10am Eastern Standard Time, and CLOSES April 8, 2020 at 6pm Eastern Standard Time.

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In blog, Critical Bounds News, Curating, Global Issues, Multimedia, Writing Tags art, art history, Contemporary Art, grant, artist grant, call, call to action, cov, pandemic art, amplifier art, thomas wimberly, AWAW, NYFA, arts, April 2020, Heide Fasnacht, critical bounds, critical bounds podcast, financial support, emergency support
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Latest Posts

Featured
Jun 21, 2021
Berette S. Macaulay "BIPOC on Colonialism, Nationalism, and [The Harmful Illusion of] White Supremacy"
Jun 21, 2021
Jun 21, 2021
May 23, 2021
Eva Mayhabal Davis "BIPOC on Colonialism, Nationalism, and [the Harmful Illusion of] White Supremacy"
May 23, 2021
May 23, 2021
May 3, 2021
Satpreet Kahlon "BIPOC on Colonialism, Nationalism, and [the Harmful Illusion of] White Supremacy"
May 3, 2021
May 3, 2021
Apr 19, 2021
Sofía Córdova on "BIPOC on Colonialism, Nationalism, and [the harmful illusion of] White Supremacy"
Apr 19, 2021
Apr 19, 2021
Apr 4, 2021
Halim A. Flowers "BIPOC on Colonialism, Nationalism, and [the harmful illusion of] White Supremacy"
Apr 4, 2021
Apr 4, 2021
Apr 1, 2021
Scroll through our ig(s)
Apr 1, 2021
Apr 1, 2021
Mar 17, 2021
#NOASIANHATE
Mar 17, 2021
Mar 17, 2021
Mar 10, 2021
Last year's Grécourt Gate interview
Mar 10, 2021
Mar 10, 2021
Mar 7, 2021
Michelle Kumata "BIPOC on Colonialism, Nationalism, and [the harmful illusion of] White Supremacy"
Mar 7, 2021
Mar 7, 2021
Feb 17, 2021
Afi Ese on "BIPOC on Colonialism, Nationalism, and [the harmful illusion of] White Supremacy"
Feb 17, 2021
Feb 17, 2021

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