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Nicole Bearden

Curatorial Portfolio and Blog of Nicole Bearden
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Critical Bounds is a podcast which considers contemporary art, global issues, and current events that influence and are in turn manifested in artistic practice, through critical conversations with emerging contemporary artists and curators.

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Tori Currier ‘22.

Tori Currier ‘22.

Until Next Time!

August 28, 2020

Hi everyone! Summer intern Tori here. My internship ends today, so I wanted to give a big thank you as well as an “until next time!”

Last June, I was fortunate enough to be connected with Nicole through the career department at Smith College. As an Art History major focused on art that is influenced by global issues, and as an aspiring educator of this art, CB’s mission of opening dialogues about these topics for wide audiences seemed to align well with my academic and personal missions. 

And it did! At CB, I was given the opportunity to write about these critical issues, such as art-world representation, queer art, and public art, for larger audiences (beyond my professors and peers, that is). I was also introduced to phenomenal emerging artists and curators. The special treat for me was CB’s mission itself: listening to these artists and curators discuss their work themselves and how their everyday experiences influence it.

Critical Bounds kindly gave me a platform that taught me how I can effectively take part in pushing for diversity, accessibility, and challenging the exclusionary ways “things have always been done” in the art world and everyday life. As I pursue my ambition of becoming an educator, I will apply what I learned at CB to continue advocating for these changes.

Thank you all for letting me join you this summer! I look forward to continuing to tune in.

Signing off,
Tori

In art, blog, Critical Bounds News, Curating, Global Issues, podcast, Podcasts, Writing Tags Critical Bounds Podcast, Critical Bounds, Critical Bounds news, Tori Currier, Nicole Bearden, Smith College, blog, writing
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"The Moan" (2014). Erika Marie York. Acrylic on canvas. Source: The Vision and Art Project.

"The Moan" (2014). Erika Marie York. Acrylic on canvas. Source: The Vision and Art Project.

More Ways of Seeing, More Ways of Creating

August 26, 2020

Hi everyone! Summer intern Tori here with my penultimate blog post. I can hardly believe how quickly August flew by.

As a current Smith student, I am so excited to share the work of a Smith alum, artist Erika Marie York '12.

York is a painter who was diagnosed with Stargardt during middle school. Stargardt is a disease that causes vision loss. As a visual artist with low vision, York’s bold, bright, abstract style on large canvases was born of her everyday visual perceptions, and her techniques for making creation and viewing more accessible to those with low vision. As she tells us in her recent interview for The Vision and Art Project, “Creating art isn’t only for able-bodied people.” (x) Certainly, art is often influenced by artists’ perceptions of the world, and low vision is another way of seeing and perceiving the world that results in another way of painting it.

This is something York’s work shows us. Shaped by her perceptions of the world as a low-vision artist, her bold abstract style first gained recognition when she was in high school: 

“What I learned in art class in high school was impactful because it taught me that I could do whatever I wanted with art. I learned that my version of a still life was way more abstract then the teacher expected and I was rewarded for that. My version of a still life was different and my high school art teacher encouraged that. I think that’s the best lesson that I learned.”

York’s work and words, which you can read in her interview for The Vision and Art Project, are important and insightful. She shows us that low vision is another way of seeing the world, and so, it is another way to paint it, too. 

You can view York’s work on her Etsy store, ArtfulDiscourse.

In art, blog, Painting, Writing Tags Erika Marie York, The Vision and Art Project, painting, contemporary art, Tori Currier, Critical Bounds, Critical Bounds Podcast, Smith College, abstraction, Stargardt Disease, low-vision artists
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Trans People Are Sacred - 100 Cities Campaign. (Gofundme).

Trans People Are Sacred - 100 Cities Campaign. (Gofundme).

Trans People Are Sacred National Billboard Campaign

August 19, 2020

Happy midweek everyone! Tori here.

As an Art History major focused on the art of the AIDS crisis, I often explore the social roles of art, especially art that is shown in public spaces.

You may have seen my post on our IG about public art. I talked about how public spaces have long been spaces for marginalized and/or activist artists to display work that would not have traditionally been accepted into museums/galleries because of elitism and prejudices. Public places have also ensured wider reaches, more eyes and more diverse eyes at that, because art is displayed in everyday spaces rather than solely confined to art institutions.

Billboards are a great example of public spaces that guarantee wide reaches. This is one reason why artist Felix Gonzalez-Torres frequently displayed artwork with AIDS/AIDS-related subject matter on billboards. ACT UP’s artist collective, Gran Fury, also displayed artwork on spaces that were traditionally used for advertisements, such as the sides of buses, to widely debunk destructive falsehoods about AIDS.

Continuing this legacy of art in public spaces, traditionally reserved for ads, is non-binary artist and activist Jonah Welch, who launched the Trans People are Sacred National Billboard Campaign last month.

Read More
In art, blog, Global Issues, Multimedia Tags Trans People Are Sacred National Billboard Campaign, Jonah Welch, SaveArtSpace, Dakota Camacho, Ryan Young, public art, queer art, Tori Currier, Critical Bounds Podcast, fundrasier, AIDS crisis, Felix Gonzalez-Torres, ACT UP, Gran Fury, queer legacies, BIPOC artists, artist opportunities
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Castro Street Fair, 1989 by Phyllis Christopher.

Castro Street Fair, 1989 by Phyllis Christopher.

WLW Visibilities

August 12, 2020

Hi All, Tori here.

Before I transferred to Smith, I rarely learned about WLW (womxn who love womxn) in the arts. Certainly, the fact that womxn artists of all sexualities are already underrepresented in the arts is the big reason why. In textbooks for my Introduction to Art History classes, I quickly noticed that womxn artists, when “represented,” usually appeared in tiny blurbs while white male artists took up the huge page space.

Since Art History began as a Eurocentric, male-dominated field that held tight to the gender norms of its day, WLW artists doubly reject[ed] its foundational beliefs through sexuality as well as gender: they were/are womxn who desire womxn.

Today, we are seeing increasing visibility for WLW in the arts. Here is a post to honor this, beginning with some slight time travel.

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In art, blog, Global Issues, Multimedia, Painting, Photography, Writing Tags Tori Currier, WLW in the arts, WLW, queer art, womxn in art, Agnes Martin, Phyllis Christopher, AIDS crisis, Zanele Muholi, Mickalene Thomas, Heather Lynn Johnson, Black Women in Art, artists of color, Critical Bounds, Critical Bounds Podcast
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The Illuminations Grant for Black Trans Women Visual Artists, image from Queer Art on IG.

The Illuminations Grant for Black Trans Women Visual Artists, image from Queer Art on IG.

Facilitating Space for Black Trans Artists

July 29, 2020

Happy midweek, everyone! Summer intern Tori here.

This month, Queer Art introduced the revolutionary “The Illuminations Grant for Black Trans Women Visual Artists.” This $10K grant “sheds light on the under-recognized contributions of Black trans women visual artists and provides critical support to their continuing work.⁣⁣”

This grant is revolutionary not only because it recognizes and supports black trans women and black trans femme artists, but because of the changemakers behind it.

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In art, blog, Curating, Global Issues, Multimedia, Photography, Writing Tags queer art, contemporary art, The Illuminations Grant for Black Trans Women Visual Artists, Aaryn Lang, Jezebel, Tourmaline, Julianna Huxtable, Kiyan Williams, Baxter St at CCNY, Por Los Ojos De Mi Gente, Golden, Felicita Maynard, Felli, wxmen artists, nonbinary artists, trans artists, artists of color, Critical Bounds, critical bounds podcast, Tori Currier, Nicole Bearden
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Teaching Gallery at the Smith College Museum of Art. Photo by me. 2017.

Teaching Gallery at the Smith College Museum of Art. Photo by me. 2017.

Virtual Exhibitions during COVID-19

July 12, 2020

Hi All, Tori here.

Yesterday, the Smith College Museum of Art announced that they will remain closed until December. Although I am feeling homesick for its galleries and the need to remind myself of the “six inch rule” if I get too close while absorbed in an artwork, it is the wisest decision for all concerned. What excites me, though, is that they also announced a new commitment to, "easy access to a broad range of free digital content, with the museum’s website providing the main hub and entry point.”

This made me reflect on the array of virtual exhibitions that have been opening due to COVID-19. It seems to me that they are ripe with opportunities.

Read More
In art, Curating, Global Issues, blog Tags virtual exhibitions, online galleries, contemporary art, covid 19, curation, global issues, Smith College, Smith College Museum of Art, The Tate, Ghost Art Project, Bridge Productions, Deep Space, accessibility, museums, social media, art museums, Tori Currier
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Tori Currier

Tori Currier

Hello from summer intern, Tori Currier

July 8, 2020

Hi everyone, my name is Tori Currier and I am excited to intern at Critical Bounds this summer. I am a first-generation college student who transferred to Smith College last fall. I am an Art History major with a focus on LGBTQ+ art, but my studies began at Holyoke Community College in Holyoke, Massachusetts.

HCC offers a program called “Learning Communities.” Learning Communities give students from many walks of life the opportunity to take courses at local 4-year universities, like Smith College. During my time at HCC, I was fortunate enough to take a Learning Community that met at Smith. The course was about “the New York School,” a group of experimental visual artists, writers, musicians, and dancers in 1950’s and 1960’s New York. In these courses alongside Smith students, I discovered my capability and passion for art history. I am particularly passionate about the art of artists who have been traditionally marginalized, like those from the LGBTQ+ community, and women artists of the New York School. (One of Elaine de Kooning’s self-portraits is framed on my bedroom wall.)

At Smith, I have become especially focused on the art of the AIDS crisis. I am using my practice to spotlight the influence of AIDS crisis art on art today and challenge the societal assumption that HIV/AIDS is a virus of the past instead of an ongoing epidemic.

Under ‘read more’ you can find some of the artists and works that inform my practice.

As a creative writer working toward a career in higher education, I am also passionate about alternative modes of education, like historical fiction. Presently, I am developing a television screenplay about LGBTQ+ artists during the 1960’s - 1980’s, hoping to educate younger generations about the community’s history and the social roles that art has played.

Read More
In art, blog, Critical Bounds News, podcast, Writing, Global Issues Tags critical bounds, critical bounds podcast, critical bounds news, Tori Currier, nicole bearden, summer intern, AIDS crisis, queer art, queer scholarship, David Wojnarowicz, Frank Moore, Félix González-Torres, Roni Horn, Jim Hodges, Carrie Yamaoka, Gran Fury, ACT UP
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From top left: Jacob Hurtzman-Goodman, Dr. Eric Avery in studio (photo by Charlie Warden), Carrie Redway, Bethany Tabor, J Simmz, Dr. Bettina Judd.

From top left: Jacob Hurwitz-Goodman, Dr. Eric Avery in studio (photo by Charlie Warden), Carrie Redway, Bethany Tabor, J Simmz, Dr. Bettina Judd.

All the Updates

July 5, 2020

It has been a busy past month, with moving, settling in, and recording.

During the past few weeks we have been fortunate to speak with several illuminating guests: Jacob Hurwitz-Goodman spoke with us about his upcoming feature film Early Stage, “…an anthology film, speculating about the inner life of artificially intelligent networks.”

For our segment on Art and Death, we conversed with Bethany Tabor, a cultural arts programmer whose work focuses on death and end of life practices, J Simmz, a curator, writer, and co-founder of Doppelgänger Projects in New York, who works closely with the Death Positive Movement. Simmz conceptualizes exhibitions with heavy focus on the cycles of life and death, mysticism, and transcendence. This segment also included poet, mixed media artist, founder of Thedna Arts, and death doula Carrie Redway. Redway’s work with death is closely related to cycles of nature, folklore, mythology, and ritual.

We also delved more deeply into our Art and Health segment, speaking with artist and physician Dr. Eric Avery. Avery’s work has spanned several decades, and includes work exploring the social side of the AIDS/HIV crisis, as well as emerging infectious diseases, human rights abuses, death, and sexuality. We were also excited to speak with Dr. Bettina Judd, a writer, artist, performer, current Assistant Professor of Gender, Women, and Sexuality Studies at the University of Washington, and author of Patient, a book of poems that explores the historical utilization of, and standardization of the dehumanization of Black, non-cisgender male bodies in the field of Eurocentric healthcare that continues today.

Our new intern, Tori Currier.

Our new intern, Tori Currier.

We would also like to take this time to welcome our summer intern Tori Currier! Tori is originally from East Longmeadow, Massachusetts. She currently resides in Northampton, Massachusetts where she attends Smith College. Tori is a junior (2022J) majoring in Art History. Focused on LGBTQ+ art, she is passionate about the role of art in social movements. Presently, she is conducting research for an honors thesis about AIDS crisis art and its continued censorship in the art world today. 

Tori intends to pursue a career in higher education. Her ambitions include changing how art history is traditionally taught by giving more attention to artists who have long been excluded or underappreciated. Interested in how history can be conveyed through creative fiction, Tori is developing a television screenplay about LGBTQ+ artists from the 60’s - 80’s, hoping to educate younger generations about the community’s history and the significant social roles that art has played throughout these decades. 

As an intern for Critical Bounds, she will strive to facilitate conversations about the importance of art in critical global issues. She is enthusiastic about how programs and websites in the social media age can become spaces for marginalized voices as well as tools to make education more accessible.

Tori will be doing research, handling a lot of our social media, and taking over the blog for the next few weeks, as well as making an episode of her own in August, and we are so happy to have her.

In art, blog, Critical Bounds News, podcast, Writing, Performance Art, Global Issues, Curating, Multimedia, Painting Tags critical bounds, critical bounds podcast, critical bounds news, Art and Health, Art and Death, Art AI, Art and Technology, Eric Avery, Jacob Hurtzman-Goodman, J Simmz, Bettina Judd, Carrie Redway, Bethany Tabor, Tori Currier, Nicole Bearden, podcast, summer intern, upcoming episodes, update post
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